Photographer and collector Felix Hans Man was born Hans Felix Sigismund Baumann on 30 November 1893 in Freiburg im Breisgau. His father had been born in Riga, then in imperial Russia, where he was a music critic for the Rigaer Tageblatt. Felix enjoyed a musical background, but graphic art was to dominate his artistic life.
It was not until 1927/8 that he turned to photography changing his name to avoid confusion with another photographer called Baumann. In 1929 he met Simon Gutmann, owner of the photographic agency Dephot (Deutscher Photo Dienst). Gutmann was one of the first to understand the nature of the ‘picture story’ which was to revolutionise magazines worldwide. Man became Gutmann’s chief photographer providing numerous photo-stories for Ullstein’s Berliner Illustrierte Zeitung and other publications during the period between 1929 and 1933. He also formed a long-lasting friendship with Stefan Lorant, a Hungarian Jew like Gutmann, who became editor of the Münchener Illustrierte Presse.
In 1933 the Nazis took over the Jewish-owned Ullstein Press. Lorant left for London and although not Jewish himself, Man too emigrated to England. The change in Man’s career came in 1938 when Lorant persuaded newspaper proprietor Edward Hulton to start the Picture Post. The successful magazine was produced at no.43/4 Shoe Lane. Man became a major contributor. He was interned briefly on the Isle of Man in the early days of the Second World War and became a naturalised British subject in 1948.
Between 1945 and 1948 he took few photographs, concentrating on his fine collection of lithographs. The climax of his collecting career came in 1971 when the Victoria and Albert Museum staged the exhibition ‘Homage to Senefelder’ entirely from his collection. In this masterly lithographic portrait (1969), David Hockney captured the personality of this passionate collector. Felix Man died in January 1985. He was one of the first photo-journalists and to many critics he remains the greatest.